词汇：we

pron. 我们（主格）；[古]朕，寡人；笔者，本人（作者或演讲人使用）

相关场景

LAP DISSOLVE:
Railroad station �� Harry's return EXTERIOR SKY �� NIGHT The same stars we saw in the opening sequence are once more twinkling as we hear the voices form Heaven: CLARENCE'S VOICE I know. I know. He didn't go.
>> It's a Wonderful Life Movie Script
UNCLE BILLY:
Well, we're being voted out of business after twenty-five years.
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COUSIN EUSTACE:
What happened? We heard a lot of yelling.
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(picking up papers from table) Now, you take this loan here to Ernie Bishop . . . You know, that fellow that sits around all day on his brains in his taxi. You know . . . I happen to know the bank turned down this loan, but he comes here and we're building him a house worth five thousand dollars. Why?
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DR. CAMPBELL Now we come to the real purpose of this meeting �� to appoint a successor to our dear friend, Peter Bailey.
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DR. CAMPBELL I think that's all we'll need you for, George. I know you're anxious to make a train.
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Mary thrashes around in the bushes. We hear her say:
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CLOSEUP �� bush at edge of sidewalk. We see Mary's face peering out from the leaves.
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MEDIUM LONG SHOT �� the old deserted house. Mary throws her rock, and once more we hear the SOUND of breaking glass.
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EXTERIOR FRONT PORCH OF HOUSE �� Night CLOSE SHOT �� We see a grumpy old man in shirt sleeves in a rocking chair on the porch. He looks up as he hears the breaking glass.
>> It's a Wonderful Life Movie Script
MEDIUM LONG SHOT �� old house. George hurls the rock at the house. We hear the SOUND of a window breaking.
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GEORGE:
And I told Harry I thought I'd be bored to death. You should have seen the commotion in that locker room. I had to knock down three people to get this stuff we're wearing here. Here, let me hold that old wet dress of yours.
>> It's a Wonderful Life Movie Script
FADE IN:
EXTERIOR TREE-LINED RESIDENTIAL STREET �� NIGHT MEDIUM CLOSE SHOT �� George and Mary. The night is warm with a bright moon. George is dressed in jersey sweater and oversize football pants that keep wanting to come down. Mary is in an old white bath robe. Each is carrying their wet clothes tied into a bundle that leaves a trail of dripping water. As they near the camera we hear them singing: GEORGE AND MARY (singing) Buffalo Gals can't you come out tonight. Can't you come out tonight. Can't you come out tonight. Buffalo Gals can't you come out tonight and dance by the light of the moon.
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GEORGE:
They're cheering us. We must be good.
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They start their Charleston. We see a SERIES OF SHOTS of various couples doing their routines, some good, some bad.
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GEORGE:
Okay �� what can we lose?
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SAM:
Well, you better make it fast. We need great ends like you �� not broken down old guys like this one.
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POP (quietly) You know, George, I feel that in a small way we are doing something important. Satisfying a fundamental urge. It's deep in the race for a man to want his own roof and walls and fireplace, and we're helping him get those things in our shabby little office.
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GEORGE:
We have that all figured out. You see, Harry'll take my job at the Building and Loan, work there four years, then he'll go.
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POP:
Pretty much. You know, George, wish we could send Harry to college with you. Your mother and I talked it over half the night.
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HARRY:
Couldn't want a better death. Lots of pretty girls, and we're going to use that new floor of yours tonight, too.
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POP:
I thought when we put him on the Board of Directors, he'd ease up on us a little bit.
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HARRY:
Oh, Mom �� I'm chairman of the eats committee and we only need a couple of dozen.
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MOTHER:
But if they were all girls, there wouldn't be any . . . Oh, never mind. (calling upstairs) George! Harry! Come down to dinner this minute. Everything's getting cold and you know we've been waiting for you.
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ERNIE:
Want to come along, Bert? We'll show you the town!
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