词汇:by

prep. 被;经由;在……之前;在附近;依据;通过

相关场景

George is out of the door by now. CAMERA MOVES CLOSER to Potter.
>> It's a Wonderful Life Movie Script
Mary and the children stare at him, stunned by his furious outburst. There is silence in the room.
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Uncle Billy starts sobbing hysterically. George grabs him by the lapels and shakes him.
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WIPE TO:
INTERIOR UNCLE BILLY'S LIVING ROOM CLOSE SHOT �� A shabby, old-fashioned, gas-lit room which has been turned almost inside out and upside down in an effort to locate the missing money. Drawers of an old secretary have been pulled out and are on the floor. Every conceivable place which might have been used by Uncle Billy to put the money has been searched. George, his hair rumpled, is feverishly pursuing the search. Uncle Billy is seated behind the desk, his head on his hands.
>> It's a Wonderful Life Movie Script
INTERIOR OUTER OFFICE �� DAY CLOSE SHOT �� As George and Violet come through the door, they are being watched by Cousin Tilly, Cousin Eustace and the bank examiner, who is still waiting to go to work on the books.
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MEDIUM SHOT �� door to street. Potter is being wheeled in by his goon. Various bank officials run over to greet him �� he is reading a newspaper.
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CARTER (in doorway) Now, if you'll cooperate, I'd like to finish with you by tonight.
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INSERT:
NEWSPAPER. The front page of the paper, the Bedford Falls Sentinel. The headline reads PRESIDENT DECORATES HARRY BAILEY �� LOCAL BOY WINS CONGRESSIONAL MEDAL OF HONOR. The subhead tells of a plan for a giant jubilee and parade, to be followed by a banquet, in honor of Commander Harry Bailey, U.S.N. on his way home from Washington after receiving the Congressional Medal of Honor.
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While the above thoughts are passing through George's head, his attention is caught by a picture on the wall near the dresser:
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POTTER:
Forty-five. Forty-five. Out of which, after supporting your mother, and paying your bills, you're able to keep, say, ten, if you skimp. A child or two comes along, and you won't even be able to save the ten. Now, if this young man of twenty-eight was a common, ordinary yokel, I'd say he was doing fine. But George Bailey is not a common, ordinary yokel. He's an intelligent, smart, ambitious young man � who hates his job �� who hates the Building and Loan almost as much as I do. A young man who's been dying to get out on his own ever since he was born. A young man . . . the smartest one of the crowd, mind you, a young man who has to sit by and watch his friends go places, because he's trapped. Yes, sir, trapped into frittering his life away playing nursemaid to a lot of garlic-eaters.
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(indicating map) There's the old cemetery, squirrels, buttercups, daisies. Used to hunt rabbits there myself. Look at it today. Dozens of the prettiest little homes you ever saw. Ninety per cent owned by suckers who used to pay rent to you. Your Potter's Field, my dear Mr. Employer, is becoming just that. And are the local yokels making with those David and Goliath wisecracks!
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FADE IN:
EXTERIOR SLUM STREET BEDFORD FALLS �� DAY �� TWO YEARS LATER MEDIUM CLOSE SHOT �� In front of one of the miserable shacks that line the street are two vehicles. One of them is George Bailey's rickety car, and the other is an even more rickety truck piled high with household goods. The Martini family is moving. The family consists of Martini, his wife and four kid of various ages, from two to ten. George and Mary are helping the Martinis move. About a dozen neighbors crowd around. Martini and George, assisted by three of the Martini children, are carrying out the last of the furniture. As they emerge from the house, one of the neighbors, Schultz, calls out:
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FADE OUT:
Martini gets a home of his own/George is tempted by Potter/George lassos stork
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This has been accomplished by rolling up his pants and putting on an old coachman's hat.
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WIPE TO:
"Welcome home, Mr. Bailey" EXTERIOR OLD GRANVILLE HOUSE �� NIGHT MEDIUM LONG SHOT �� An old-fashioned, run-down house, unpainted and warped by the weather. It once had class but has not been lived in for years. This is the house that George and Mary will live in from now on. The rain is pouring down. A faint glow of light shines out from bottom windows.
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Mary turns and slips out through the crowd, followed by Ernie.
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INTERIOR OUTER OFFICE �� BUILDING AND LOAN �� DAY MEDIUM CLOSE SHOT �� George, followed by the still-silent people, comes in. Uncle Billy is standing in the doorway to his private office, taking a drink from a bottle. He motions to George to join him.
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No one answers. He quickly unlocks the grill door and pushes it open. Followed by the crowd, George runs upstairs and into the outer offices of the Building and Loan.
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ERNIE:
By the way, where are you two going on this here now honeymoon?
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Mary throws her bouquet, which is caught by Violet Bick. As they come out onto the porch, we see that it is raining. Nevertheless, Cousin Eustace has his camera equipment set up and is taking pictures of the group. George and Mary dodge through the rain and a shower of rice and get into Ernie's taxicab, which pulls away from the curb.
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George can stand it no longer. He drops the phone with a crash, grabs Mary by the shoulders and shakes her. Mary begins to cry.
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As Mary comes into the hall, she stops by the phonograph, which is still playing "Buffalo Gals," takes off the record with a jerk, and smashes it against the machine. The phone is still ringing.
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above scene:
MARY (singing) "And dance by the light . . ."
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GEORGE:
I didn't tell anybody. I just went for a walk and happened to be passing by . . .
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GEORGE:
Hello, Mary. I just happened to be passing by.
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