词汇:ceiling

n. 天花板;上限

相关场景

279INT -- RED'S ROOM -- LATE DAY 279 Small, old, dingy. An arched window with a view of Congress Street. Traffic noise floats up. Red enters and pauses, staring up at the ceiling beam. Carved into the wood are the
>> 肖申克的救赎Shawshank Redemption Movie Script
He takes one last look around. Only one thing left to do. He steps to a wooden chair in the center of the room, pulls out s pocketknife, and glances up at the ceiling beam.
>> 肖申克的救赎Shawshank Redemption Movie Script
113INT -- BROOKS' ROOM -- DAY (1954) 113 Brooks enters. The room is small, old, dingy. Heavy wooden beams cross the ceiling. An arched window affords a view of Congress Street. Traffic noise drifts in. Brooks sets his bag down. He doesn't quite know what to do. He just stands there, like a man waiting for a bus.
>> 肖申克的救赎Shawshank Redemption Movie Script
20INT -- RED'S CELL -- NIGHT (1947) 20 Red lies on his bunk below us, tossing his baseball toward the ceiling and catching it again. He pauses, listening. FOOTSTEPS approach below, unhurried, echoing hollowly on stone.
>> 肖申克的救赎Shawshank Redemption Movie Script
GO GO:
Standing by the junction box, flips a switch turning the lights back on. The electricity shines light on... The BRIDE Splashed all over with blood. Blood painting the floor, walls and ceiling. Dead bodies, several limbs, and horribly wounded men who have yet to die, litter the ground.
>> 杀死比尔Kill Bill Movie Script
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INT. THE COMATOSE BRIDE'S HOSPITAL ROOM - NIGHT The CAMERA is in a corner of the ceiling, looking down on the comatose Bride, who lies motionless in her bed.
>> 杀死比尔Kill Bill Movie Script
INT. OFFICE - DAY A man standing behind a large desk-behind him, floor-to- ceiling windows-has no small talk for Carson Wells, the man entering.
>> 老无所依No Country for Old Men Movie Script
Holding on the mirror we see him walk back into the main room and stop, looking around. He looks slowly up to the ceiling.
>> 老无所依No Country for Old Men Movie Script
Then she's off him. Chace is lying on his back looking upat the ceiling, bleeding from a split lip.
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Romeo One-One:

I am serious…and don't call me Shirley. A square hole is cut from the ceiling of the plane and then it's pushed down. The first enemy comes out of the bathroom and is killed.
>> Modern Warfare 07 Movie Script
SSgt. Griggs:

Pick up an RPG and fire on that Hind! He Hind fires and destroys the pillars one by one, attempting to crush the jeeps with the tunnel's ceiling.
>> Modern Warfare 07 Movie Script
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INT. ANTIQUE STORE - DAY We are in an antique store. Filled floor to ceiling with furniture and knickknacks. Anna stands with a YOUNG COUPLE. All three lean over and peer into a glass cabinet. An antique engagement ring sits on a velvet stand.
>> The Sixth Sense 灵异第六感 Movie Script
COLE:
Be real still. Malcolm looks to Cole and then turns back to the ceiling. Malcolm's body becomes very still. Beat.
>> The Sixth Sense 灵异第六感 Movie Script
MALCOLM:
What is it? Malcolm follows the child's gaze to the ceiling of the gym.
>> The Sixth Sense 灵异第六感 Movie Script
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INT. GYMNASIUM - AFTERNOON It's a large shadowy GYM. Climbing ropes hang from the wood beamed ceiling. Cole is trembling slightly as he stands next to Malcolm.
>> The Sixth Sense 灵异第六感 Movie Script
MALCOLM:
(loud) Are you calling me? WE HEAR ANNA'S FOOTSTEPS MOVE ACROSS THE BASEMENT CEILING. WE HEAR THE FRONT DOOR OPEN. ANNA (o.s.) What? You don't see enough of me at the store? Malcolm gets up and moves closer to their voices as he stretches his legs. MAN'S VOICE (o.s.) On my way to the flea market in Amish country. Thought maybe you want to come. Show me how to buy at these things. ANNA (o.s.) I trust you... Besides, I don't know if I'm up for the Amish today. You can't curse or spit or anything around them. Malcolm smiles at Anna. MAN'S VOICE (o.s.) I thought you'd want to get out. You've been kind of down. Malcolm slowly stops smiling. ANNA (o.s.) That's very sweet. I'm okay. MAN'S VOICE (o.s.) Do you think I should stop by on my way back? Show you what I got? It's not a problem. Malcolm shakes his head in disbelief. ANNA (o.s.) You know that's probably not the best idea. I'll just wait to see them in the store. MAN'S VOICE (o.s.) Okay. Fine. Understood. (beat) I'm off then. ANNA (o.s.) Don't step in the horse manure. MAN'S VOICE (o.s.) Thanks.WE HEAR THE FRONT DOOR SHUT. Malcolm moves to the narrow basement window. INT./EXT. MALCOLM'S HOUSE - DAY We see SEAN, an attractive young man in his late twenties. He gets into his car across the street. He just sits there for a moment before putting his forehead to the steering wheel.
>> The Sixth Sense 灵异第六感 Movie Script
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INT. BASEMENT OFFICE - NIGHT The surface of Malcolm's desk is covered with open texts. Malcolm pours over a thick reference book. He circles a phrase... "...resulting bruises and abrasions on arms and legs may, in fact, be self-inflicted." Malcolm appears disturbed by the thoughts running through his head. ANNA'S MUFFLED VOICE CARRIES DOWN THE STAIRS. His face turns up to the ceiling.
>> The Sixth Sense 灵异第六感 Movie Script
INT. BASEMENT - EVENING A NAKED LIGHTBULB SPARKS TO LIFE. It dangles from the ceiling of a basement. LIGHT, QUICK FOOTSTEPS AS ANNA CROWE moves down the stairs. Anna is the rare combination of beauty and innocence. She stands in the cummy basement in an elegant summer dress that outlines her slender body. Her gentle eyes move across the empty room and come to rest on a rack of wine bottles covering one entire wall. She walks to the bottles. Her fingertips slide over the labels. She stops when she finds just the right one. A tiny smile as she slides it out. Anna turns to leave. Stops. She stares at the shadowy basement. It's an unsettling place. She stands very still and watches her breath form a TINY CLOUD IN THE COLD AIR. She's visibly uncomfortable. Anna Crowe moves for the staircase in a hurry. Each step faster than the next. She climbs out of the basement in another burst of LIGHT, QUICK FOOTSTEPS. WE HEAR HER HIT THE LIGHT SWITCH. THE LIGHTBULB DIES. DRIPPING BLACK DEVOURS THE ROOM.
>> The Sixth Sense 灵异第六感 Movie Script
QUINCE:
I don't think they're ordinary. I love keychains. INT. HALLWAY OUTSIDE LIBRARY, PARRISH TOWNHOUSE - NIGHT Parrish moves deliberately down the hall, slows as he nears the doorway to the library. The door is open. He hesitates before he crosses the threshold, taking in as much as his eye can see, now tentatively, he enters. INT. LIBRARY, PARRISH TOWNHOUSE - NIGHT A beautiful, classic room, areas of dim, warm light, club chairs, books reaching to the ceiling, a rolling library ladder, a weathered dictionary on a stand, a model boat carved of bone set into the stacks which are separated from the reading area by a seven-foot high partition of obscured glass. Parrish, poised in the doorway, looks around, nothing in sight.
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