词汇：they

pron. 他们；她们；它们

相关场景

POTTER (sarcastically) Look at you. You used to be so cocky! You were going to go out and conquer the world! You once called me a warped, frustrated old man. What are you but a warped, frustrated young man? A miserable little clerk crawling in here on your hands and knees and begging for help. No securities �� no stocks �� no bonds �� nothing but a miserable little five hundred dollar equity in a life insurance policy. You're worth more dead than alive. Why don't you go to the riff-raff you love so much and ask them to let you have eight thousand dollar? You know why? Because they'd run you out of town on a rail . . .But I'll tell you what I'm going to do for you, George. Since the state examiner is still here, as a stockholder of the Building and Loan, I'm going to swear out a warrant for your arrest.
>> It's a Wonderful Life Movie Script
GEORGE:
They don't have that kind of money, Mr. Potter. You know that.
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POTTER (snorts) They're going to believe that one. What've you been doing, George? Playing the market with the company's money?
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POTTER:
Yes. They called me up from your Building and Loan. Oh, there's a man over there from the D.A.'s office, too. He's looking for you.
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You know, maybe my kids aren't the best-dressed kids; maybe they don't have any decent clothes . . .
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CLOSE-UP �� George and Zuzu. They whisper.
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MARY:
Oh, she's got a cold. She's in bed. Caught it coming home from school. They gave her a flower for a prize and she didn't want to crush it so she didn't button up her coat.
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INTERIOR KITCHEN �� NIGHT CLOSE SHOT �� They come through the door.
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INTERIOR HALL �� NIGHT CLOSE SHOT �� as they go toward kitchen.
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They exit with Tommy hanging onto George's coat-tails, and pulling at him. CAMERA PANS WITH them.
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EXTERIOR WINDOW OF POTTER'S OFFICE IN BANK �� DAY CLOSE SHOT �� Potter is peering through the slats of the Venetian blind, watching them as they go.
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They continue on down the street on their search.
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They pause for a moment on the sidewalk.
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INTERIOR OUTER OFFICE �� DAY CLOSE SHOT �� As George and Violet come through the door, they are being watched by Cousin Tilly, Cousin Eustace and the bank examiner, who is still waiting to go to work on the books.
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GEORGE:
What do you want to do, hock your furs, and that hat? Want to walk to New York? You know, they charge for meals and rent up there just the same as they do in Bedford Falls.
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(as they go) Come on, look sharp.
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CARTER (as they go) Although I shouldn't wonder when you okay reverse charges on personal long distance calls.
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CARTER:
Well, I guess they do those things. Well, I trust you had a good year.
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CLOSE SHOT �� George and Carter. They shake hands.
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GEORGE (on phone) What did they have to eat? Harry, you should see what they're cooking up in the town for you . . . Oh, are they?
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COUSIN EUSTACE:
What did they have to eat?
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JOSEPH'S VOICE . . . two of them as they were about to crash into a transport full of soldiers.
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As they shake hands, George feels a physical revulsion. Potter's hand feels like a cold mackerel to him. In that moment of physical contact he knows he could never be associated with this man. George drops his hand with a shudder. He peers intently into Potter's face.
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The big black limousine glides away, leaving George standing with his arm around Mary, gazing broodingly after it. They slowly walk over to George's old car and look at it silently.
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POTTER:
Oh, they are, are they? Even though they know the Baileys haven't made a dime out of it.
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