词汇：they

pron. 他们；她们；它们

相关场景

INTERIOR KITCHEN �� NIGHT CLOSE SHOT �� They come through the door.
>> It's a Wonderful Life Movie Script
INTERIOR HALL �� NIGHT CLOSE SHOT �� as they go toward kitchen.
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They exit with Tommy hanging onto George's coat-tails, and pulling at him. CAMERA PANS WITH them.
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EXTERIOR WINDOW OF POTTER'S OFFICE IN BANK �� DAY CLOSE SHOT �� Potter is peering through the slats of the Venetian blind, watching them as they go.
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They continue on down the street on their search.
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They pause for a moment on the sidewalk.
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INTERIOR OUTER OFFICE �� DAY CLOSE SHOT �� As George and Violet come through the door, they are being watched by Cousin Tilly, Cousin Eustace and the bank examiner, who is still waiting to go to work on the books.
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GEORGE:
What do you want to do, hock your furs, and that hat? Want to walk to New York? You know, they charge for meals and rent up there just the same as they do in Bedford Falls.
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(as they go) Come on, look sharp.
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CARTER (as they go) Although I shouldn't wonder when you okay reverse charges on personal long distance calls.
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CARTER:
Well, I guess they do those things. Well, I trust you had a good year.
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CLOSE SHOT �� George and Carter. They shake hands.
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GEORGE (on phone) What did they have to eat? Harry, you should see what they're cooking up in the town for you . . . Oh, are they?
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COUSIN EUSTACE:
What did they have to eat?
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JOSEPH'S VOICE . . . two of them as they were about to crash into a transport full of soldiers.
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As they shake hands, George feels a physical revulsion. Potter's hand feels like a cold mackerel to him. In that moment of physical contact he knows he could never be associated with this man. George drops his hand with a shudder. He peers intently into Potter's face.
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The big black limousine glides away, leaving George standing with his arm around Mary, gazing broodingly after it. They slowly walk over to George's old car and look at it silently.
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POTTER:
Oh, they are, are they? Even though they know the Baileys haven't made a dime out of it.
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WIPE TO:
EXTERIOR BAILEY PARK �� DAY CLOSE SHOT �� Sign hanging from a tree "Welcome to Bailey Park." CAMERA PANS TO follow George's car and the old truck laden with furniture as they pass �� we hear Martini's voice singing "O Sole Mio." Bailey Park is a district of new small houses, not all alike, but each individual. New lawns here and there, and young trees. It has the promise when built up of being a pleasant little middle class section.
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FADE IN:
EXTERIOR SLUM STREET BEDFORD FALLS �� DAY �� TWO YEARS LATER MEDIUM CLOSE SHOT �� In front of one of the miserable shacks that line the street are two vehicles. One of them is George Bailey's rickety car, and the other is an even more rickety truck piled high with household goods. The Martini family is moving. The family consists of Martini, his wife and four kid of various ages, from two to ten. George and Mary are helping the Martinis move. About a dozen neighbors crowd around. Martini and George, assisted by three of the Martini children, are carrying out the last of the furniture. As they emerge from the house, one of the neighbors, Schultz, calls out:
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EXTERIOR SIDE OF HOUSE �� NIGHT CLOSE SHOT �� Bert and Ernie. They finish their song, and Ernie kisses Bert on the forehead. Bert slams Ernie's hat on his head.
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INTERIOR HOUSE �� NIGHT CLOSE SHOT �� George and Mary. They remain embraced.
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They rush into each other's arms and hold each other in ecstasy.
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MAN (disgustedly) What are they �� ducks?
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What? They want romantic places, beautiful places . . . places George wants to go.
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