词汇:they

pron. 他们;她们;它们

相关场景

DR. CAMPBELL That's the best part of it. They've appointed George here as executive secretary to take his father's place.
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DR. CAMPBELL But they've got one condition �� only one condition.
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DR. CAMPBELL George! George! They voted Potter down! They want to keep it going!
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UNCLE BILLY:
Oh, never mind. Don't worry about that. They're putting us out of business. So what? I can get another job. I'm only fifty-five.
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Why, in the twenty-five years since he and Uncle Billy started this thing, he never once thought of himself. Isn't that right, Uncle Billy? He didn't save enough money to send Harry to school, let alone me. But he did help a few people get out of your slums, Mr. Potter. And what's wrong with that? Why . . . Here, you're all businessmen here. Doesn't it make them better citizens? Doesn't it make them better customers? You . . . you said . . . What'd you say just a minute ago? . . . They had to wait and save their money before they even ought to think of a decent home. Wait! Wait for what? Until their children grow up and leave them? Until they're so old and broken-down that they . . . Do you know how long it takes a working man to save five thousand dollars? Just remember this, Mr. Potter, that this rabble you're talking about . . . they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn't think so. People were human beings to him, but to you, a warped, frustrated old man, they're cattle. Well, in my book he died a much richer man than you'll ever be!
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Uncle Billy and George are seated among the directors. The Chairman of the Board is Dr. Campbell. They have folders and papers before them, on which they have been reporting. Before each of the directors there are individual reports for them to study.
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FADE IN:
EXTERIOR BAILEY BUILDING AND LOAN SIGN OVER ENTRANCE INTERIOR BAILEY BUILDING AND LOAN OFFICE �� DAY CLOSE SHOT �� Directors Meeting. There are about twelve directors seated around a long table. They are the substantial citizens of Bedford Falls Dr.
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GEORGE:
They're way downtown. They'd be on my side, too.
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George joins her in the singing as they proceed down the street.
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GEORGE:
Well, not just one wish. A whole hatful, Mary. I know what I'm going to do tomorrow and the next day and the next year and the year after that. I'm shaking the dust of this crummy little town off my feet and I'm going to see the world. Italy, Greece, the Parthenon, the Colosseum. Then I'm coming back here and go to college and see what they know . . . and then I'm going to build things. I'm gonna build air fields. I'm gonna build skyscrapers a hundred stories high. I'm gonna build bridges a mile long . . .
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He takes the bundle of clothes from Mary. They stop and look at each other.
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CAMERA MOVES WITH them as they proceed down the street.
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FADE IN:
EXTERIOR TREE-LINED RESIDENTIAL STREET �� NIGHT MEDIUM CLOSE SHOT �� George and Mary. The night is warm with a bright moon. George is dressed in jersey sweater and oversize football pants that keep wanting to come down. Mary is in an old white bath robe. Each is carrying their wet clothes tied into a bundle that leaves a trail of dripping water. As they near the camera we hear them singing: GEORGE AND MARY (singing) Buffalo Gals can't you come out tonight. Can't you come out tonight. Can't you come out tonight. Buffalo Gals can't you come out tonight and dance by the light of the moon.
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They move backwards until finally they reach the edge of the floor and fall into the pool below.
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GEORGE:
They're cheering us. We must be good.
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George and Mary are so busy dancing they don't notice the floor opening. Spotlights concentrate on them. They mistake the screams for cheers.
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Freddie needs no more. He takes the key from Mickey and turns the switch. The floor begins to part in the middle, each half sliding under the bleacher seats. Pandemonium starts. Dancers begin to scream as they try to get off. Some are so engrossed in dancing they continue at top speed. Teachers and elders start to scurry off. As the floor opens, it reveals an attractive, lighted swimming pool.
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They start their Charleston. We see a SERIES OF SHOTS of various couples doing their routines, some good, some bad.
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CLOSEUP �� George and Mary. As the MUSIC starts and couples begin dancing once more, they look at each other.
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MOVING SHOT �� following George and Mary as they dance.
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FREDDIE'S VOICE (cont'd) . . . but I couldn't find out. Nobody'd ever tell you whoever it was because they'd be scared. They know . . .
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SAM:
Yeah �� old Joe College Wainwright, they call me. Well, freshman, looks like you're going to make it after all.
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ANNIE:
Boys and girls and music. Why do they need gin?
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CAMERA PANS WITH them as they cross.
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Pop is smiling and poking his plate. A commotion is heard on the stairs, the boys imitating fanfare MUSIC. Down they come, holding their mother high between them on their hands. They bring her into the dining room and deposit her gracefully into Pop's lap.
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